| | The Gordon Higginson
Fellowship's Physical Mediumship and Trance Week 2012 at Eastbourne, UK In the first of a
series of articles, editor
Sue Farrow reports on a week of outstanding
physical séances, plus lectures, workshops and demonstrations. |
It's well known that
physical mediumship (PM) is rare. In the UK there are just a handful of
demonstrating physical mediums, and in other parts of the world PM is equally
scarce. No one is entirely sure why this should be. We only know that it seems
a very particular physiological make-up is required in order for the spirit
world to manifest physical phenomena in this material world of ours.
We also know
that with very few exceptions (most notably the materialisation medium Minnie
Harrison) physical mediums typically spend many, many years in development. PMs
walk a difficult and rocky road, and almost inevitably attract scepticism and
controversy, mainly because their séance room events are at times so
spectacular and inexplicable as to seem beyond belief - too good to be true.
Spiritual
feast
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| Colleen and Bill Meadows |
The GHF Physical
Mediumship and Trance Week, which took place in Eastbourne, England, from
17th-21st September, was a gourmet feast for the spirit. An almost electric
atmosphere pervaded the large seaside hotel and conference centre (whose very
helpful and efficient manager Robin Hodson just happens to be a medium himself)
as not one but three physical mediums - Bill Meadows and Scott Milligan from
the UK, and Kai Muegge from Germany - demonstrated their work, each entirely
different from the others.
In Noel
Coward's magnificent play
Blithe Spirit there's a line which
never fails to bring the house down. His stout, matronly and rather overbearing
lead character - a medium known as Madame Arcati - arrives at the elegant home
of socialite and author Charles Condomine who has invited her to conduct a
séance in order to provide him with material for his next book. Briefly
acknowledging her clearly sceptical hosts, she pauses, sniffs the air
dramatically, and with great excitement delivers in a booming cut-glass accent
what must surely be the most unlikely line in the history of British theatre -
"I smell ectoplasm!"
Ectoplasm is
of course a substance inextricably linked with physical mediumship. Apparently
externalised from the body of the medium, it is to the best of our knowledge
the means by which the phenomena of the séance room take place. In the case of
physical medium Bill Meadows, the legendary Noel Coward might well have had to
consider a rewrite, since Bill, unlike his two colleagues and most of history's
physical mediums, produces no ectoplasm at all, and works with what he and his
circle describe simply as "energy".
I first met
Bill and his wife Colleen in 2006 and sat with them on several occasions during
the following year. Though he had been sitting to develop for nineteen years,
Bill had at that stage only just begun to demonstrate in public. Arriving in
Eastbourne to cover the GHF events, I was pleased to meet the Meadows again
after a gap of several years. They were accompanied by Bill's brother, Chris,
who is now the only other member of the circle, following the passing of
long-standing member Monica White in October 2010.
Glyn Edwards, founder-director of the Gordon Higginson Fellowship.
General
controls
Much of a Meadows circle
séance is conducted in good red light, but the circle is hot on integrity and
transparency and has numerous controls and checks in place. Prior to each of
Bill's three séances two independent ‘checkers' were invited to inspect the
séance room. I performed this function myself for the first séance, along with
Eric Hatton.
We were given
unrestricted and unsupervised access to the room, and examined the cabinet (a
simple three-sided wooden structure with a curtain suspended from a wooden pole
along its open front, in which the medium would sit), the walls, the carpeted
floor, a closed serving hatch, a small table, two séance trumpets, a harmonica,
a flute, a small drum and two drumsticks, an 8 x 8-inch plaque with a 4 x
4-inch area of luminous tape at its centre, and a basket of small foam balls
(cat toys the size of ping-pong balls). There were no windows in the room and
all doors were locked and sealed immediately prior to the start of the séance.
Save for the
fact that Eric Hatton and I were seated close to the cabinet, sitters were
allowed to select any seat they wished. Bill's circle leader - his wife Colleen
- sat immediately to the left of the cabinet as sitters faced it, and operated
the CD player that would provide music (intended to raise the vibrations in the
room so as to assist the production of physical phenomena) with which we all
sang along. Chris was seated to the immediate right of the cabinet and I held
his hand throughout all periods of darkness.
Controls
on the medium
All sitters now seated
in two concentric horseshoes (having been searched for any inadvertently
forgotten objects such as mobile phones, lighters and other light sources), the
medium came into the room and waited quietly as his circle leader gave a last-minute
reminder that sitters should join hands during periods of darkness so that all
present would know the whereabouts of everyone else should any phenomena take
place. Those in the outer horseshoe were told that they were welcome to stand
up in order to see more clearly if necessary.
The medium
was then searched in full view of the sitters and made his way to the chair in
the cabinet. Seated, he was tied to his chair by means of Velcro straps and
tough plastic cable ties by two sitters who had never previously met him. The
cable ties secured, the loose ends were cut off and handed to me, so that I
could match them with Bill's bindings at the conclusion of the séance. This was
to ensure that there was no possibility of the medium detaching his bindings during
the séance and then re-fixing or replacing them. Music was then played via a CD
as Bill slipped quickly into trance, following which his regular control, named
Marie, greeted the sitters. It's worthy of note that in each of the three
séances sitters were invited at regular intervals to reach into the cabinet and
check that the medium's hands and feet were still bound to his chair. I myself
performed this function four times during the first séance.
The
phenomena:
a spirit orchestra
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| The Gordon Higginson Fellowship logo. |
In all Bill's séances three
instruments were played simultaneously - a flute, a harmonica and a drum with
two drumsticks. The drumsticks were fitted with luminous tabs, and in the third
séance were seen to rise (along with the drum) about two metres into the air
while playing at tremendous speed. Sitters therefore had the slightly surreal
experience of watching the illuminated drumsticks moving apparently of their
own volition, two or three metres off the ground, beating out complex and
lengthy rhythmical sequences. The display lasted several minutes, and clearly
suggested intelligent control.
The hymn
Amazing Grace had earlier
been played on a harmonica (a blown instrument) whilst a flute (also a blown
instrument) interjected decorative accompaniment. It was an impressive demonstration,
to say the least.
During the
second séance, the control named Marie again spoke to me and asked if there was
anything I wanted. As a former professional musician I knew the impossibility
of a human being accurately performing on two wind instruments simultaneously,
especially in different parts of the room, and intended to ask for a repeat
performance. I therefore told Marie how impressed I had been, and before I'd
had a chance even to frame my request, both instruments had risen into the air and
were busy playing, causing much laughter in the room.
Dazzling
trumpet flight and
an unexpected request
The levitation,
sometimes as high as the ceiling, of séance trumpets (long, cone-shaped objects
made of aluminium or cardboard) is a regular feature of PM demonstrations, and
Bill's three séances were no exception in that respect. Two trumpets were aloft
in all three séances, moving at extraordinary speed, sometimes in free flight
and at other times performing at frantic pace in the style of a spinning
Catherine Wheel, and other synchronised formations.
There was,
however, one very significant difference from the norm. Sitters in traditional
physical séances using ectoplasm are regularly cautioned that the trumpets (and
any other phenomena or manifestations) must never be touched, since they are
directly connected to the medium's body and any contact with them could cause
injury to the medium.
This ‘Don't
touch' habit is deeply ingrained in all experienced sitters. Imagine my
apprehension, then, when as a trumpet came to rest, suspended in mid-air close
to the top of the cabinet, I was invited by Marie to walk forward and take hold
of it. I questioned the instruction but was told firmly to go ahead and do it.
I did so, experiencing just a slight resistance as I pulled the trumpet free
and placed it on the floor. Eric Hatton was then invited to do the same, as
were several sitters in the second and third séances. In all cases the medium
slumbered on peacefully in trance without the slightest ill effect.
Tiny
fingers
Later in the first
séance, after the medium's bindings had been checked once again, the control
Marie announced that Bill's spirit team would try to bring "the babies". These,
we were told, were very small children attached to the Meadows' spirit team. In
good red light sitters watched as two small shapes (less than a metre high)
pushed themselves against the cabinet curtain, bulging it outwards towards the
sitters. I was then invited to approach the cabinet so that "the babies" could
touch me. Since they were behind the curtain and only their outline could be
seen, I paid very close attention indeed. I am 5' 3", and within seconds I felt
what seemed like tiny fingers on the lower part of my legs, travelling up
towards my knees. Several other sitters experienced this phenomenon
subsequently, and some were allowed to take hold of "the babies'" hands. Each
reported that they had been able to discern tiny fingernails on the hands. This
phenomenon at an end, the cabinet curtain was raised without human assistance
to reveal the medium still under restraint.
Deformed
hand materialises
In the Meadows circle's
third and final séance, one sitter was called forward to witness what was to
prove a highly evidential manifestation. Bill Meadows has two perfectly normal
hands, as have his wife and brother, yet in good red light an obviously
deformed hand, apparently with twisted fingers and a piece of one finger
missing, belonging, we were told, to one of the spirit team named Ralph, was
visible to many sitters.
Materialised
face seen by many
Much remarkable
phenomena took place in Bill's three séances, but for me, perhaps the most
outstanding was the clearly visible manifestation of a face towards the end of
the second séance - a phenomenon I had thought consigned to the past. With a
clear view of the cabinet I watched as the brightly illuminated square plaque,
which had been flying in various parts of the room, hovered at the front of the
cabinet, tilted and clearly illuminated a face which bore no relation to that
of the medium. Many of the sitters were able to see this, including the
gentleman sitting next to me - one of the few remaining people to have
witnessed full-form materialisation in light.
Cable
ties a perfect match
At the end of each
séance the light was switched on to reveal the medium, still seated and bound
to his chair, levitated out into the main body of the room. At the third and
final séance Bill and chair were found more than two metres from the cabinet.
He was released from his restraints by the two people who had secured him prior
to the séance, and in séances one and two I was handed the cable ties so that I
could check them against the cut-off portions I had retained. In the third
séance the cut-off ties were retained by Scott Milligan. In all three cases
they were a perfect match.
Bill Meadows,
72 years old, is an unassuming and modest man who shies away from publicity.
But if his mediumship continues to develop at the rate it has done since I last
sat with him in 2007, he is unlikely to escape attention for very long.
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Scott Milligan takes a break as the séance room is prepared for his demonstration the next day. | This
beautiful Buddha statue was the first prize in the GHF raffle. |